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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     THE KILLER IS ALREADY INSIDE THE HOUSE
    9 minutes
      THE KILLER IS ALREADY INSIDE THE HOUSE - THE KILLER IS ALREADY INSIDE THE HOUSE

CAST: JUDI, ACHILLES

She is one of the not so talented enemy spies, and given a low level assignment
of data assignment as info courier as her first one.  
Setting: Late night and empty street Judi walks chewing gum, swinging her purse
with strap and talking on cell phone. She doesn’t notice someone spying on her
and following her.

She’s walking back to apartment after picking up HDD, but instead of dropping
it back at HQ, she feels tired after waiting for hours to get. On cell, she is
laughing and joking with friend, had a good time at party. She is interrupted by
boss calling, she tells boss he will get it next day. Boss yell how dumb she is and
in great danger… 
Suddenly someone starts to shoot at her from dark/night street.
She creams, drops cell phone and runs for her life….
She survives a hail of gunfire out in the streets. As soon as she makes it running
back inside to her apartment/house, she checks her whole body with her hands
for any signs of bullet holes. Can be in front of full body mirror on the wall and a
sofa behind her.
After running inside Judi exclaims: Pww, that was close!!!! I knew I would hate
this fucking job!!!
Self body check-up by using hands all over body, I have the luck of a cat!!!!  She
is standing behind a sofa.
Not really!!! Screams the Assassin showing himself now.
Suddenly an enemy agent jumps out from the shadows and starts shooting her…
Bang, Bang, Bang! SHIT!!! Falls down Fuck, Fuck, Fuck!!!! It hurts!!!! You will
never find the drive on me, inside dress/corset/bra, assholes!!!! Oops, did I say
that out lout????
She stands up again, trying to fire. Bang, Bang, Bang!!! Body twitches with
rounds incoming & can spit as much blood as Under Cover Police Woman.
Gets up defiantly, fires last rounds, click, click... empty! Final gunning. Slumps 3-
5 rounds to chest or couple to stomach…
Falls over sofa to middle of room, if she can show underwear view as she falls
from back to front of sofa then to the floor…. Show her panties a lot as legs
fly/flip go over sofa.
If stunt is too dangerous then do it slowly and no panty or ass showing.
Dying slowly, the other agent comes and fires last rounds at her back as
she tries to crawl/escape away like in Model Shoot.
Last words: I really hate this fucking job…. Spits more blood out. Eyes open and
close up of face
Full view of body from above, zoom in to full face slowly, once with clothes from
back then front as Assassin turns her over to show her front then admires her. Show body, still dressed full body then zoom and close
up like Under Cover Police Woman. Zoom was of her body in horizontal, can you
show it vertical too? Face zoom too here
Assassin then comes close, undresses her looking for HDD. Takes off dress,
then corset and panty, leaving only garter with stockings and heels. Assassin
then leaves her body. Zoom again full body and of face too.
3 days later after he comes back and checks on her… top view of full body and
zoom slowly to face and all of body. Move her face or play around with her or flip
body to back and front again. He then leaves, zoom again full pale body and face
after 3 days and fade into black.  LIKE an ANIMAL
    15 minutes
      LIKE an ANIMAL - LIKE AN ANIMAL
C U S T O M
Starring: Katya Steals and Alex
Fetish Elements:
A sudden attack, an attempt to escape, a shock reaction, foot-dragging, dragging over his shoulder, jerking her legs, forcing rough stripping, cutting her throat, a lot of blood, sweating, sniffing and playing with your body, eating your body, cannibalism, vampire bite, wrap the bloody corpse in film, enjoy it.


She is a young urban woman. Her interests are social gatherings, shopping, gossip, spa salons. He is an animal, a monster, a monster, a predator man. All the ancient instincts in it. He is a vampire, a cannibal, a rapist, a butcher, a devourer. There are no ethical norms and rules in it. He absorbs his prey like a piece of meat. He is a dog, a wolf-cannibal, a hunter without borders.
He traces her in her house. He makes his way noiselessly, like a predator, dressed only in a cellophane suit. He pounces at her suddenly, from behind, and she immediately feels like a helpless fallow deer in the tenacious pitiless paws of a hungry tiger.
He drags her into his den. There is already prepared cellophane, so as not to stain the furniture from her blood. He zealously strips her, kisses him in the face, sniffs, snarls. Then he sharply cuts her throat with a knife, substituting her face under the fountain from her blood. She is shocked, life flows out of her with the flowing blood, her eyes are bulging, and she does not believe that this is happening to her actually. You do not need to visit safari and jungle to become a victim of an animal - a fateful fate found it in a big safe city.
He plays with her body. Sniffs, tastes, smeared in her blood. Then he takes off the cellophane, to feel the body of her smooth helpless dying flesh. He clings to her thigh with his fangs and starts greedily to eat her leg. He enjoys raw fresh meat, then pierces his teeth in her neck and starts to drink blood. The bite revitalizes her for a moment, she realizes herself engulfed forever by the victim. She does not notice how helplessly excited, how he awakened in her the primitive female sacrificial beginning, devoured her, defeated her, killed her, ate her ...
If you like this movie please  check out
Business Trip
Animal Instincts
     THE DETH SHOW
    29 minutes
      THE DETH SHOW - THE DEATH SHOW

CUSTOM

CAST: TATIANA, KSYSHA ZAICHIK, MERCY, MAX, BILLY BRAG

YY and WW are policewomen in uniform and they can hear a ping from capt ZZs locator device.  They know she has been kidnapped and is scheduled to appear on The Death Show tomorrow night meaning they need to rescue her before the show begins as she will most likely be killed.  Plus if these 2 can shut down The Death Show it will be great for their careers

 

We see YY and WW enter the building of the death show in uniforms with guns drawn.  What they don't realize is that the ring doorbell has alerted the death show killers of them coming in. We see them coming into the room where Capt Judi is held still tied in uniform to a chair. As they untie her from the chair and walk to the door they hear several clicks.  They hear a male voice over the intercom " We know you are here.   We can see you on video.  We have locked all the doors to this room   you cannot leave. Put your guns on the ground. Put your hands up.  Walk across the room face the far wall with your hands up"

 

Gunmen enter the room collect their guns and laugh at them "you thought you could just come in here take her and go?"  

Gunmen photograph them from the front side and back - like mug shots of criminals arrested

 

Next scene the 3 women are gagged wearing only panties tied into chairs - hands are handcuffed behind them (Picture 1)

Gunmen tell them that tonight they will star I'm a special presentation of The Death Game.  It will be The Death Game Crucifixion Special

 

At the appointed time the studio lights come on the video cameras are turned on and the the host says

"Welcome to The Death Game  Tonight's game will be a little different than what you are used to but it will be great - we are calling it the Death Game Crucifiction Special!

You see we have 3 stars of tonight's game - they are all policewomen ZZ YY and WW. ZZ was brought to us yesterday and today we captured YY and XX trying to rescue her.   And tonight we are playinhg the Death Game a little differntly than we have in the past.   Here is how it will work:

"1 by 1 our captives'  gags will be removed while she remains tied into her chair and we will sew her mouth shut to keep her very quiet.  We then untie her from the chair, pull off her panties, and have her stand against an "X" frame of wood and then nail her hands to the wood - She will not be able to scream as her mouth is sewed shut.  We then place the wooden "x" frame to which she is attached outside - the 3 of them in a row - until noon tomorrow.   At noon tomorrow we will finish the show with a surprise.

Of course the video of the entire event starting now is available to you on pay per view - so go ahead and sign up and Enjoy!!! - We will begin the show in 1 hour:

And you can bid on the ladies' personal items to purchase from us - their uniforms - panties - guns - or even body parts - hair, fingernails, nipples - whatever you would like.

 

At the appointed time the studio lights come on and the show begins:

Host " Welcome to a special edition of The Death Show - The Crucifiction Special.  We have 3 policewomen starring in our show tonight - ZZ  YY and XX."

He presents their "mug shot" pictures to the camera saying "This is how they looked in uniform" and continues

  "Crucifiction will be torture and very painful for these ladies and we do not want to have to listen to them scream so for our first event tonight we will sew the ladies' mouths closed which keeps them more quiet than just a gag.  We will use regular sewing needles and coarse thread and sew them one by one"

 

** Examples of sewing front view - Screenshots 506 and 514

                           back of head view:  Screenshot 512        ** 

 

First to have her mouth sewn will be ZZ

Gunmen remove her gag and we see her mouth being sewn from a view from behind her head and also then we see her face.  When the sewing is finished we see a close up of her face - her mouth is sewed shut with 5 or 6 stitches and there are red marks on her face where the stitches go into her skin.   We hear her scream when the sewing begins and fades to a whimper as her mouth is sewed closed.

 

Next up is WW

Gunmen remove her gag and we see her mouth being sewn from a view from behind her head and also then we see her face.  When the sewing is finished we see a close up of her face - her mouth is sewed shut with 5 or 6 stitches and there are red marks on her face where the stitches go into her skin.   We hear her scream when the sewing begins and fades to a whimper as her mouth is sewed closed.

 

Last is YY

Gunmen remove her gag and we see her mouth being sewn from a view from behind her head and also then we see her face.  When the sewing is finished we see a close up of her face - her mouth is sewed shut with 5 or 6 stitches and there are red marks on her face where the stitches go into her skin.   We hear her scream when the sewing begins and fades to a whimper as her mouth is sewed closed.

 

We see 3 large wooden "X" frames lined up against a wall

 

  ** Picture of wall which could fit the 3 "X" frames if the couch is moved - Screenshot 516 **

 

Gunmen release ZZ from her chair and her handcuffs are removed so that she can take off her panties - she is led to one of the wooden "X' frames and her wrists are secured to the frame.  

Gunmen then produce a hammer and large nails and begin to nail her right hand into the wood and we see her face react to the nailing  including her silent screams as her mouth is sewn shut - then her left hand is also nailed to the frame and we see her face in misery and horror and the silent screams. (Screenshot 513)     When the hammering is finished we see a full body view of Capt Judi attached to the X Frame, hands bloody with nail heads in them - blood running down her arm and her mouth sewn shut - then camera shows up a close up of her face

 

Next gunmen release WW from her chair and her handcuffs are removed so that she can take off her panties - she is led to one of the wooden "X' frames and her wrists are secured to the frame.  Gunmen then produce a hammer and large nails and begin to nail her right hand into the wood and we see her face react to the nailing  including her silent screams as her mouth is sewn shut - then her left hand is also nailed to the frame and we see her face in misery and horror and the silent screams. (Screenshot 513)   When the hammering is finished we see a full body view of Mary Ann attached to the X Frame, hands bloody with nail heads in them - blood running down her arm and her mouth sewn shut - then camera shows a close up of her face

 

Next gunmen release YY from her chair and her handcuffs are removed so that she can take off her panties - she is led to one of the wooden "X' frames and her wrists are secured to the frame.  

Gunmen then produce a hammer and large nails and begin to nail her right hand into the wood and we see her face react to the nailing  including her silent screams as her mouth is sewn shut - then her left hand is also nailed to the frame and we see her face in misery and horror and the silent screams. (Screenshot 513)    When the hammering is finished we see a full body view of Merci attached to the X Frame, hands bloody with nail heads in them - blood running down her arm and her mouth sewn shut - then camera shows a close up of her face

 

Next scene the 3 women are attached to the X frames lined up outside.   Camera zooms in on each womans full body and then zooms into their faces - nailed and bloody hands, etc.

Gunmen set up camera telling them that the pay per viewers can watch them attached to the wooden frames until noon tomorrow when we will come back for the surprise ending we mentioned earlier - and that surprise is that we will machine gun them - all on camera.

 

Time passes as we see ZZ XX and WW in agony attached to the wooden "X" frames

 

At noon the next day the gunmen reappear with machine guns - take their positions, aim and shoot  BW2 ELIMINATION OF MALE SPIES
    24 minutes
      BW2 ELIMINATION OF MALE SPIES - Mission of Black Widow Sister Ksysha

 

After Ksysha and her sister reported to
the secret organization they both belong to about their last mission together,
the Black Widow Sisters, the sisters go their separate ways.

Ksysha is given an assignment that will
require her special skills and brutality. With a password, she opens an
encrypted message on her computer with all the details of your order. Ksusha
reads it out loud (subtitle everything please).

 

5 USB sticks with secret data of the
organization were stolen by a former female agent who belongs to a syndicate
that also works underground. The data contains all information about all
agents. Now the syndicate is threatening to publish all data and thus reveal
the identity of all agents. The former agent handed over the USB sticks with
the data to four high-ranking people in the syndicate. Like the renegade agent,
these people are also well-trained contract killers. Ksysha has 24 hours to
track down the owners of the data carriers, liquidate them and take the USB
sticks in order to give them back to their organization and thus avert the
organization's collapse upon publication. Ksysha was chosen because she knows
most of the tricks of how to approach such people in order to get an
opportunity to kill them and thus complete the job successfully. Due to their
particular killing style of strangling their victims with their hands or
strangling them with their wooden-handled garrote. It never leaves any traces
and can complete its tasks silently and professionally. Ksusha agrees and
accepts the assignment.

 

Ksysha finds out that, in addition to
the former agent, the people involved are three other men and a woman. Ksysha
says quietly to herself that she thinks it's a pity that her sister isn't there
this time, so she has to kill the two female victims herself. She gets
information about the name of the former agent. She also finds out that there
is going to be a syndicate meeting at a hotel where all the owners of the USB
sticks are gathered. Ksysha sees this as her best chance of getting hold of the
USB sticks. Ksusha reports to her organization and plans her next steps.

 

Ksysha has tracked down the whereabouts
of the former agent, now disguised as a normal housewife, in order to get all
the information about the other owners. Ksysha plans her mission so that she
will first seek out the former agent, interrogate her and then kill her.

 

Ksysha puts on her killer outfit. A
bikini panty to tie, a leather bra, tight wet look leather pants, black leather
boots. Then she puts on her tight black leather gloves.

 

Standing in front of a large mirror, she
puts her hands around her neck and chokes herself, imagining killing her
victims. Then Ksysha takes her garrote and puts it around her neck and
strangles herself with it to feel how her victims feel when she strangles them
and tells herself how much she loves her job.

Then she takes her knife and puts it in
a holster, which is attached to her belt, puts her garrote in her leather
jacket and a plastic bag, takes her cell phone and she goes on her way.


The meeting place

 

Ksysha has arrived at the rendezvous
point under her false identity. She is admitted there with the forged papers
and the identity of the former agent. Ksysha is assigned a room and given all
the details about the planned meeting. She receives a folder in which all
owners of the USB stick with picture and name as well as their specialties as
contract killers. Ksysha studies the documents and plans her further mission.
The female assassin strangles her victims just like Ksusha, so Ksysha looks
forward to a big fight with her. Two of the male contract killers have
specialized in killing women exclusively, in which they can quickly gain trust
as womanizers through their good looks and usually strangle their female
victims after sex. Ksysha says to himself that this time the victim will be the
perpetrator and decides to seduce these two men and strangle them at a suitable
moment. The third male hitman only kills with a silenced gun. Ksysha decides to
break into this hitman's house so that she has the element of surprise for
herself to kill him (Please subtitle everything as an inner monologue).

 
The mission – last male victim

 

Ksysha found out that the last owner of
the USB stick had his quarters on the ground floor of the meeting point, so she
decides to break into the room where the last male assassin is located through
a window. She pulls a stocking mask over her head. Ksysha is quiet and nimble
like a cat, allowing her to break in without making a sound. Ksysha quietly
looks around to find out where the assassin is. She quietly enters the bedroom
where the assassin is apparently asleep on his stomach. Ksysha sees his gun
with a silencer on the bedside table and she knows he's very fast so she has to
be careful. Ksysha takes her garotte out of her leather jacket and quietly
pulls it off. Then she jumps onto him in a flash and sits on her from behind
and, before he realizes what happened, puts her garrote around his neck and
powerfully strangles him from behind until he is unconscious. Ksysha dismounts
from him and searches the room but cannot find the USB stick. Ksusha has no
choice but to find out from the assassin himself.

 

She turns the hitman over and wakes him
up, takes off her leather gloves and wraps her bare hands around his neck and
squeezes hard until he's unconscious again. Ksysha wanted to feel her victim's
neck and now puts her leather gloves back on, waking him up again and wrapping
her hands around his neck again and squeezing hard. He fights and is able to
flee for a moment and grabs his gun but doesn't stand a chance, Ksysha knocks
it out of his hand. He tries to pick her up again and at that moment Ksysha
takes her garotte again and puts it around the hitman's neck from behind and
brutally pulls him back onto the bed. Ksysha sits back on him and tucks his
arms under her legs. Then she slaps him in the face a few times and asks for
the USB stick. Tell me where this is and I'll let you live. He initially
refuses and Ksysha hits him again. She takes her garrote and puts it around the
contract killer's neck again and tightens it tightly. Say it or I'll kill you
now, she yells at him. When he slowly gets weaker and realizes that he has no
chance against Ksysha, he agrees and tells Ksysha where the USB stick is. Then
he says to Ksysha now let me go.

She then opens her leather jacket and
shows him her bare breasts, saying it's the last thing he'll see. She takes her
garrote again and chokes him to death with it and enjoys watching him in the
eye and enjoying his agony as his body twitches and struggles to survive but
stands no chance against Ksysha. The victim salivates from his mouth after
being strangled by her. Ksysha goes to a small safe in the room and enters the
combination she received earlier from the assassin. She takes the last USB
stick and goes back to her own quarters. She places the USB sticks on a table
in front of her and smiles contentedly. Then she calls her organization and
tells her about the last stick and her successful mission. Your organization is
fully satisfied and expects Ksysha back with all 5 USB sticks. Ksysha says that
to maintain her cover she will attend the syndicate meeting. The organization
agrees and Ksysha hangs up. Then Ksysha stands in front of a large mirror and
looks at herself from all sides with satisfaction, touches herself everywhere
and feels her body and then leaves her room.

 

Outfit Ksusha: lingerie (Bikini string, leather bh), black
leather jacket, tight black leather wetlook leggings, belt, black leather boots
and very 
            
  short black gloves. 


Outfit female victim: lingerie
(Bikini string, leather bh), black leather jacket, tight black leggings, belt,
black leather boots and very 
           
          short black gloves.
     IF NOT THE SHERIFF
    10 minutes
      IF NOT THE SHERIFF - IF NOT THE SHERIFF
Starring: Annabelle, Yana, Steals, Alex

FETISH ELEMENTS
Arresting, Rummage, Fear, Begging for life, Execution, Headshots, Body Carrying, Body Stripping, Bodypile, Bodies in the car
PLOT

Two party girls drive in the town to the party with drugs. They are not afraid of police, because the police in this town is corrupted. But a woman with gun stops them. Her brother died because of drugs and she decided to fight against drugs herself. She searches drugs, touching girls and terrorizing them. After she executes them. Her older brother comes to help. They strip bodies, put them in the car and move to the farm to gift bodies to old farmer for some fun…

IF YOU LIKE THIS FILM PLEASE CHECK OUT
FAMILY TRADITIONS
SHERIFF, HIS SON AND THREE WHORES  DONT SLEEP WITH MY HOUSBAND 2
    21 minutes
      DONT SLEEP WITH MY HOUSBAND 2 - DON’T SLEEP WITH MY HOUSBAND
 PART II
CUSTOM VIDEO
Starring: Pola, Annabelle, Nadya, Alex
MUST SEE IF YOU LIKE WELL-DONE SHOOTING WITH BLOOD
VERY GOOD ACTING!
One day a girl knew her friend slept with her husband. She took a gun and cruely shot her ex-friend to both tits! Shock reaction and begging for life is great!
Before death she called her another friend to save her…
When another girl ran to the place, the girl was dead and her killer was near. The girl tried to shoot her but she was bad shooter and  didn’t know how to use gun. The murder just laughted at her and shot her to the heart…
But the girl didn’t die immidiatly. She was still alive and shot another. Missed! The evil girl just laughted at her another one. She was sure she had a deal with looser and decided to play. «Try to shoot one more time – your last chance!» But it was her fatal mistake.  Just imagine her shock and surprise when the dying girl shot her right to the heart in a  second  before death. She didn’t believe that her death was so stupid.
 
Fetish elements:
Shooting, shooting to tits, shooting to nipples, shock reactions, great wounds, bodypile, Necro stripping
 
If you kike this video please check out
 DON’T SLEEP WITH MY HOUSBAND
STRANGE DAY
SRANGE DAY 2
ONE KILLER FOR TWO SISTERS
BODYGUARD
     CHEATING GUTS FEELING 2
    24 minutes
      CHEATING GUTS FEELING 2 - CHEATING GUTS FEELING 2
CAST: Annabelle, Li, Max
CUSTOM
«The custom film was completely amazing. All the actors did great. Especially Annabelle! The open of the movie was very cool. Annabelle looked so sinister! The special effects were very, very realistic. I don’t know how much more real your props team can make it. Very good job. Crimehouse is the leader in custom film production. Once again thanks for the awesome gory film! »
Customer’s Review

Fetish Elements:
binding, sacrifice, chloroform, blow,  stabbing unconsciousness, guts,  agitating, dismemberment, taking out the intestines, injections, girls kills a girl, man kills a girl
Opening scene: Annabelle sees her boyfriend, Max out on the town with Li. She sees them all over each other and she’s  furious at the sight of her man out with another woman. She follows them and sees Max go into the apartment with Li. Use you creative to build this scene how Darkrooms sees fit. I trust you guys. Love the scene in The first Cheating Guts Feeling. 
Scene 2:Annabelle breaks into Li’s apartment. She’s wearing something sexy that shows her stomach. Li is taking a shower. Scenes of Li in the shower, her hair isn’t wet. We see her washing her stomach. She gets out and puts some sexy panties on. She walks into her bed room, just in panties, to finish getting dressed. She closes the door and Annabelle is waiting behind it for her. Annabelle grabs her sticks a syringe in her neck. Li goes unconscious in Annabelles arms. 
Scene 3: Annabelle is tying Li to a small table, like in the past films. Annabelle is wearing just  some sexy panties. Li is completely naked. She ties her arms above her head and her legs to the table legs. Annabelle gets a knife. She runs it over lis belly several times circling her navel. She presses it into her navel till she wakes up from the pain. She starts to panic and squirm around against being tied. Annabelle holds the knife to her belly and explains to her that she knows that she’s been screwing her boyfriend and she can’t believe she had the guts to do it so she’s going to cut her open and see them. Li squirms trying to get free but it’s no use. Annabelle starts to slowly sink the knife into her navel all the way to the hilt. She rips it out violently. Then stabs her 5 more times in the navel. She pulls the knife out. She stabs it in her stomach just below her sternum and slices Li down her stomach cutting her open. She then reaches in and guts her as in the usual Darkrooms fashion. Li convulses in agony as she’s gutted. She finally dies. Views of her body and death stare. Annabelle leaves her guts piled up by her side. Annabelle is not done she takes Li’s phone and text max to ask him to come over for a hook up. Her plan is to surprise attack him when he arrives and stab him.  
Scene4: Max arrives at Li’s home. He goes in happy his thinking he’s gonna get a piece of ass. He opens the door to the room with Li’s dead gutted body and is horrified at the sight. Just then Annabelle burst in with a knife. She’s just wearing panties. She screams you cheating bastard as she tries to stab Max. He deflects the knife. The struggle with each other. He grips her hand that has the knife. He finally hits Annabelle and knocks her out. She falls to the floor face up unconscious. Max is furious that she’s killed Li. He’s going to make her pay. What better way than to gut her like she gutted Li. He takes her body and lays it across  Li’s  body on the table. Annabelles lower back lays across Li’s stomach her hands above her head creating a body pile. (I’ve attached an image). He takes her panties off. He ties Annabelles hands and feet with some rope. Her hands are above her head. He takes the knife that she used to try to stab him. He runs it over her stomach circling her navel. He then plunges it into her stomach just below her sternum. She lets out a Ugg as she wakes to the knife plunging in her stomach. He slices down her belly to her navel as she spasms. Once he’s at her navel he twist the knife around in her gut. He rips the knife out and stabs it back in her navel and finishes cutting down to her lower belly. He removes the knife and sticks his hands in her stomach and begins to gut her. As he’s removing her intestines, he angrily  tells hers that this is pay back bitch.  He cuts away the last length of her intestines as she dies. He lays the knife on her chest. Her guts piled on the floor. The movie ends with camera pan views of the two women laid out across each other with bloody guts laying everywhere.
 
Annabelle would be laid across Li’s body like this with her back laying on Li’s stomach to make the body pile if that can be done without making the actresses uncomfortable. 

IF YOU LIKE THIS FILM PLEASE CHECK OUT
CHEATING GUTS FEELING   DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


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SHORT SHORTS

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9 stabbing of Nata
     PRISONER ABUSE 2
    21 minutes
      PRISONER ABUSE 2 - PRISONER ABUSE 2
Starring: Angelina, Max

Prisoner Abuse 2
The Interrogator roughly escorts Angelina.  He wears a dark shirt, cargo pants, and dark shoes/boots (similar to Max’s outfit in “Prisoner Abuse”).  Angelina wears a white tank top, dark shorts, and black high heel boots, her hair in a ponytail, light make up/natural look, and no nail polish unless it’s, clear, white, or black.  Her hands are cuffed behind her back.
As the Interrogator escorts her, Angelina protests, saying things like “You can’t just arrest me like this,” “What did I do?” “I have a right to know,” etc.  The Interrogator ignores her.  He shoves her into the room and sits her in a folding chair.  The room is open with a lot of space and the floor is covered with a tarp or plastic.  (Similar to the room where “Prisoner Abuse” takes place)
Angelina looks up at her Captor.
ANGELINA: Whatever you think I did, you have the wrong person-
The Interrogator suddenly punches her in the head.  Angelina is surprised by the attack.  He grabs her by the hair and leans in close to her.
INTERROGATOR: We know you’re a Spy for the Resistance.  We have proof, so don’t bother denying it.
As he speaks, Angelina glares at him.  The Interrogator lets go of her hair.
INTERROGATOR: I suggest you answer my questions truthfully.  Otherwise…
The Interrogator suddenly punches her in the head again.  Again, Angelina is surprised by the attack, but this time she immediately stares back at him without fear.  He punches her again, and then a third time.  Angelina takes the pain and again stares back at him without fear.
INTERROGATOR: You can take a hit.  Good.  Makes it more fun.
He punches her several more times in the head in a few different ways.  Sometimes he hits her with left and right hooks, other times he holds her with one hand while punching her with the other, and a few times he hits her with straight punches to the face.  One final hook knocks her out of the chair and onto the floor.  She pants and groans in pain.
INTERROGATOR: Come on, get up!
He kicks her in the gut.
INTERROGATOR: Get up!
With her injuries and her hands cuffed behind her, it’s a struggle, but she manages to get back to her feet.  The Interrogator pulls out a knife and cuts her tank top, so it falls from her body, exposing her naked breasts.  He puts the knife away and punches her in the head again, causing her to stumble back against the wall, but she manages to stay on her feet.  The Interrogator then batters her with several hard punches to the abdomen that knock the wind out of her and make her double over, but every time she is about to fall, he catches her or holds her up (maybe he holds her up by the throat).  He switches and hits her with more rights and lefts to the head.  The final punch knocks her to the floor.  He walks away.  Angelina tries to breathe and fight through the pain.
The Interrogator returns with a baton.  He forces her back to her feet baters her abdomen with the baton many times.  Every time he hits her, it knocks the wind out of her and makes her double over, groaning/moaning in pain, but every time, the Interrogator catches her or holds her up (maybe he holds her up by the throat).  After one final blow, he finally lets her drop to her knees. He grabs her by the hair, sitting her up, and hits her with more punches to the face.  With every punch, Angelina’s eyes become more dazed until she is knocked out.  He shoves her to the floor, and she lands on her side
Angelina’s limp body is now strung up, her hands cuffed/tied above her head (similar to how Xena was strung up in “Prisoner Abuse”).
The Interrogator throws some water in her face to wake her up.
INTERROGATOR: Have a nice nap?
ANGELINA: Are you actually going to ask me some questions this time?
INTERROGATOR: That was just a taste of what waits for you if you don’t cooperate.  Tell me the location of your Cell’s headquarters.  Who is your Commander?  How many soldiers are there?  And what kind of weapons do they have?
Angelina remains silent.  He grabs her by the throat and leans in close to her face.
INTERROGATOR: Go ahead.  Stay silent.  I love hurting people.  Especially pretty rebel bitches like you.  But, if you answer my questions truthfully, I’ll have no choice but to stop.  We’ll treat your wounds and give you a nice meal.  No more pain.  Or you can die slowly.  I would love nothing more than to beat you to death.  It’s your choice.
Angelina takes a moment to consider his words.
ANGELINA: You really enjoy hurting me that much?
INTERROGATOR: More than you can imagine.
ANGELINA: Then you’d better savor every second of it, because soon you’ll be dead as well and your Empire will fall, you sick fuck!
She spits blood in his face.  The Interrogator chuckles as he cleans his face with a rag.
INTERROGATOR: I was hoping you’d say that.
He hits her with a mixture of rights and lefts to the head and body.  Sometimes he throws a few punches quickly.  Other times, he briefly pauses between punches, so she can feel every hit.  After many punches to the head and body, he switches to the baton.  He takes his time as he batters her body with the baton, making her feel every hit and knocking the wind out of her each time.  If not for her hands being strung up, she would have fallen many times.
He grabs a shock-stick (the same one from “Bloody Interrogation” and “Prisoner Abuse” if possible).  As he holds it close to her body, we finally see fear in her eyes.
INTERROGATOR: Answer my questions and it all stops.
Angelina buries her fear and glares at him with resolve.
He shocks her in the belly, then one of her nipples, then the other nipple, and then finally her pussy.  Each time he shocks for several long seconds, causing her eyes roll back as her body spasms (similar to her reactions when she is shocked in “Bloody Interrogation”).  The last shock knocks her out.
The Interrogator uncuffs/unties her hands and her limp body collapses to the floor.  He rolls her onto her back then throws some more water in her face to wake her up.
As she gets her bearings back, he stands between her legs and lifts them.  Realizing what he is about to do, Angelina’s eyes widen in fear.
INTERROGATOR: I’ll give you another chance.  Answer my questions or I’ll destroy your pussy.
After a few deep breaths, Angelina glares at him with resolve.
ANGELINA: I never wanted children anyway.
The Interrogator stomps on her pussy several times, causing her to cry out in agony.  He takes a second or two between each stomp so she can feel every hit.  Eventually the pain causes her to lose consciousness.  The Interrogator continues to stomp on her pussy a few more times for good measure.
He taps her face and shakes her head to wake her up.  Angelina grabs her sore pussy and rolls onto her side groaning/moaning in pain.
INTERROGATOR: Get up!  Come on, get up!
Summoning all of her strength, Angelina slowly stands.
INTEROGATOR: Impressive.  I’ll make you a deal.  If you can get past me, you’re free to go.
ANGELINA: (Exhausted) Liar!
INTERROGATOR: (Chuckles) Maybe.  What do you have to lose?... Unless you’re finally ready to talk.
Angelina puts up her guard, though she can barely lift her arms.  She throws a couple punches.  They are wild and sloppy, and the Interrogator easily dodges them and pretends to applaud her effort.  She throws another punch, and the Interrogator easily blocks and counters with a hard punch to her head.  She is unable to defend herself as he continues to pummel her with several more punches to the head, mostly right and left hooks, a few straight punches to the face, and punches to the body.  Every punch to the head rocks her and some of the body shots double her over.  Every time it looks like she’s about to fall, he catches her and stands her back up.  Sometimes he holds her as he punches her.  A final right hook knocks her to the floor (she lands on her back).  She is barely conscious.
The Interrogator straightens her out and gets on top of her, straddling her.  He taps her face and shakes her head to wake her up.
INTERROGATOR: This is your last chance.  You won’t have another opportunity after this.
ANGELINA: Good.  I’m tired of hearing your stupid voice.
INTERROGATOR: (Chuckles) Defiant till the end.  I like that.
The Interrogator hits her over and over with many brutal ground n pound rights and lefts to the head.  He alternates a few times, sometimes he holds her with one hand while punching her with the other, sometimes he holds her while hitting her with straight punches to the face, sometimes he hits her with hammer-fists, but he always goes back to ground n pound rights and lefts.  After a few minutes, she eventually dies.  The Interrogator doesn’t notice at first and when he does realize that she is dead, he continues to punch her in the head several more times.  This sequence lasts for about 2-3 minutes.
He decides to take a break from punching and decides to brutalize her pussy some more by doing several running soccer (football) kicks to her pussy.
He then straddles her and goes back to hitting her with several more ground n pound rights and lefts for about another 2 minutes. (Similar angles as before)
The Interrogator finally decides to stop, smiling in satisfaction as he looks down at Angelina’s battered body and gets a sip of water.  Suddenly, gunfire is heard off-camera. The Interrogator grabs his gun and goes to investigate.  The camera pans Angelina’s dead body as more gunfire is heard and the Interrogator is killed off-screen.
Possible POV: Another Resistance Fighter enters, gun drawn, (their face doesn't need to be seen) walking past the dead body of the Interrogator, they discover their dead comrade.
RESISTANCE FIGHTER: Commander.  I found her.  We’re too late.  She’s already dead.  Looks like she didn’t tell them anything.
COMMANDER (V.O.): Copy that.  Finish sweeping the area, then bring her home.
RESISTANCE FIGHTER: Yes sir… (To Angelina) You did good soldier… You did good.
Final body pans ending with a close up of Angelina’s face.
The End

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PRISONER ABUSE  MISSION BATTLE ROYAL PART 1
    31 minutes
      MISSION BATTLE ROYAL PART 1 - CAST: Ksusha Zaichik, Sally, Annabelle, Billy Brag

Professional acting! Hot scenes! High quality video!
After Ksusha successfully completed her 2nd mission and thus averted the collateral damage from her organization, she returned to her apartment. There she writes her report about her mission and sends it to her organization. In doing so, she recapitulates and analyzes the execution of her individual assassinations during her mission in order to avoid future mistakes and states for herself that she loves her job and her way of killing by strangling her victims more than anything and from order to order becomes more and more professional.

A few days later, due to her excellent work, Ksusha receives an encrypted invitation message on her computer with the following content:

Ksusha is invited to a once in 7 year meeting of her organization where the best hit men come together and only one of them is chosen to receive a position in the business level of the organization for life, giving them say, financial security and a free hand in the organization Selection and awarding of orders. The meeting is the unique "Battle Royal". There are no rules here, except that in the end there is only one person left who gets the coveted job. So everything is allowed for every participant...
     TWO NURSES
    9 minutes
      TWO NURSES - TWO NURSES
 
C U S T O M

Models: Annabelle,  Angelina, Max

GREAT CLIP FOR PANTYHOSE LOVERS, HEADSHOTS LOVERS AND FOOT FETISHISTS

PLOT

Both are getting ready for work in the clothing listed above. A gunman enters the room and shoots one in the forehead and she drops to the ground dead. The other girl hears this and hides in the shower. The killer finds her and shoots her in the forehaed also. She slumps down dead in the shower.

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ROBBERY 

CONTRACT KILLER IN HOSPITAL  STRANGLING STORIES
    10 minutes
      STRANGLING STORIES - STRANGLING STORIES
Three girls strangle each other in different scenes
CUSTOM
Starring: Tatiana, Maryann, Mercy, Billy Brag
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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